Donegal music is generally recognised for its strong clear tone, skilful bowing with little finger ornamentation. Johnny’s style bore all those hallmarks but was made much more dramatic by his aggressive staccato bowing and frequent use of double stopping. He was entirely self taught, read music, and key changes seemed unchallenging to him, no matter how awkward fingering became. The influence of the strong highland piping tradition in his family was noticeable by his vast repertoire of marches and strathspeys.
01. The Salamanca/The Flood on the Holm
02. The Cat That Kittled in Jamie’s Wig
03. Arthur Darley’s Jig
04. Kitty’s Gone a’Milking/The Dogs Among the Bushes/The Merry Sisters
05. My Love She’s But a Lassie Yet
06. Green Grow the Rushes-o
07. The Hen’s March over the Midden
08. McFarley’s Reel
09. Talk on learning the fiddle and his father’s criticism (omitted from CD version)
10. Bonny Kate
11. The Bluebells of Scotland
12. Miss Crawford
13. The Atlantic Roar
14. Easter Snow
15. The Drunken Piper/Lough Isle Castle
16. The High Level
17. The Low Level
18. King of the Pipers
19. Talk – John’s family and fellow musicians
20. Cathair Rua
21. Mammy’s Plaidie/The Boyne Hunt
22. The Japanese Hornpipe
23. The Old Man Rocking the Cradle
24. The Moving Bogs/The Fairy Reel
25. The Loughside
26. The Blacksmith’s Fancy/Mooney’s Favourite
27. The Donegal Reel
28. The Policeman’s Holiday
29. Air Gan Ainm/Stirling Castle
30. Lord Mayo
31. The Harvest Home
32. Lord Gordon’s
33. Miss Cunningham
34. The Liverpool Hornpipe/The Derry Hornpipe
link to the free album
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