This volume describes, in verse, the mythical creatures and people of ancient Scotland. It also includes explanatory notes about about the characters and folk tales that inspired the author's poetryRead by Matthew Reece.
link to the free audiobook
A fine Monday morning wake up call supplied by Alabama's finest Celtic sons and their excellently titled 2010 album 1000 Feet Closer To Hell. 1000 Feet Closer To Hell is a phrase used by Irish emigrants to describe their work experience as coal miners in Americas mines, As for the music it's great Celtic Traditional best described as a fine mix of Chieftains & Pogues given their own endearing spin.
Recorded directly from the soundboard so the sound quality is excellent. Live In Rome is one of the oldest solo Christy shows available and as such contains some older material hardly played nowadays.. This all adds up to a great listen foe anyone who's a fan of the great man and is not available to buy.
The Collected Works of Saint Patrick. Read by Sean McKinley.
This is from the cover notes of Sunshine Dance [1996] and says all that needs saying about this very special album.
The Barleycorn were an Irish traditional music band who first came to my attention playing Irish rebel music in 1972. By the time this album was released in 1975 Barleycorn had polished up their act and broadened their horizons and the only track here which could be deemed a rebel song is the excelent Freedom Sons,The rest of the tunes are a finely delivered mix of evergreen traditional and folk songs.....enjoy
A deleted 1993 recording of the Sliabh Luachra fiddle player and teacher taken from RTÉ archive recordings made by Séamus Ennis between 1947 and 1949. This is absolutely brilliant Sliabh Luachra music, and the final set of tunes - a duet with Denis Murphy - is a classic.
20 tracks, 64 tunes [18 are Jerry Holland compositions] of recordings by Jerry Holland released between 1982 and 1992, including five tracks not released before. Accompanied by the terrific piano playing talents of Hilda Chiasson, John Morris Rankin and Allan Dewar. The spirited honky tonk playing these three produce provides the perfect foil for the exuberant fiddle of Jerry Holland. Cape Breton fiddlers generally go flat out but Jerry goes hell for leather and the piano players mentioned give as good as they get. Dave MacIssac puts in some solid work on the guitar on most of the tracks but the show is really stolen by the feud between the fiddle and the piano.
This album was recorded as a souvenir of the groups 1964 tour of Ireland, and is the first stereo album ever recorded there. It was made on the evenings of August 21 and 22, 1964, on the stage of Ulster Hall in Belfast. It must have been wonderful to be there on those joyous nights in Ulster Hall with the Clancy Brothers and Tommy Makem but you can't have everything; and we are fortunate to have this live recording to tell us what it was like. It was something very special, just as this album is.
Pirates, shanghaiers, slavers, and smugglers are just some of the central characters in this album of lusty, authentic maritime songs; others are ardent patriots, hard-pressed immigrants, and weathered sailors sheltering in the taverns of the seven seas. All are midway between some dicey spot in life and an uncertain future. Among the mighty crew are Joanie Madden of Cherish the Ladies, John Doyle of Solas, Tim Collins of the Kilfenora Ceili Band, All-Ireland champion fiddler Brian Conway, Robbie O'Connell and Susan McKeown.......Enjoy
The American Minister and his family have bought the English stately home Canterville Chase, complete with the ghost of Sir Simon de Canterville - blood-stains, clanking chains and all. But these modern Americans will have no truck with ghostly goings-on, and set out to beat the spectre at his own game.
Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They centre on Joyce's idea of an epiphany: a moment where a character experiences self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce's novel Ulysses. The initial stories in the collection are narrated by child protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce's tripartite division of the collection into childhood, adolescence, and maturity. (Summary from Wikipedia)
Another Side of Cape Breton presents Johnny Wilmot's early recordings [1951-64]. Johnny was a true master of both Cape Breton Irish and Cape Breton Scottish traditional styles. In addition to fiddle and piano selections [with Margaret MacPhee or Mildred Leadbeater] there are tracks with tin whistle [Chris Langan] and others with harmonica [Tommy Basker]. These extraordinary examples of Cape Breton fiddle tradition are rooted in the house parties and dances of Cape Breton’s Northside. Wilmot’s music is driving, emotional, and absolutely unbeatable. These cuts are a rare and terrific find.
A fine and long forgotten example of Scottish folk history and local enterprise this collection was paid for from the door receipts of the Ayr folk club. Released in 1973. The album features close harmony group Tanninzie [Fiona Campbell, Ken Lorimer, Mik Shaw and Geoff McColm], Alec "Speedy" Simpson and Ian McKinnon, John Clegg and Dave Strathie, Pete and Heather Heywood and Dougie Bell. Tanninzie are the stand out act for me, both their tracks are excellent, closely followed by John Clegg who was the organiser of the Ayr Folk Club.
Feadóga Stáin, Mary Bergin's 1979 debut album, has been credited with establishing the tin whistle as one of first tier among the standard instruments of Irish Traditional Music. Members of De Dannan contributed accompaniment and the album is mostly a trio of tin whistle, Irish bouzouki and Bodhrán. This album is generally considered by critics and scholars as a "definitive" or milestone album.
Eddie Poirier, born and raised in the Maritimes is well acquainted with the regional music of the area. The proof of which lies within this 1970;s album. On the album, you'll find Eddy Poirier at his fiddlin' best. A truly fine selection of tunes including one of Eddy's own compositions "Lord Albert Jig" written especially for this album.
Scottish folk singer turned actress Isla Cameron teams up with Ewan MacColl for this classic 1958 folk revival album. MacColl has long been associated with the resurgence of folk music in the British Isles in the late 1950's and early 1960's and Cameron became one of the most popular woman folk singers of her day. The two sing separately on all tracks with Ewan MacColl being accompanied by his wife Peggy Seeger on Banjo and Guitar. Isla Cameron is accompanied on all her tracks by his wife Ralph Rinzler on Banjo and Guitar.
This narrative poem is composed in three parts, and consists of a dialogue between the aged Irish hero Oisin and St. Patrick.
Crank It was the first solo album from Dan Stacey, the fiddle player in the very popular and stylish Celtic rock band, Seven Nations. Released in 2003 and no longer available this much sought after collection showcases Dan in full swing. He plays allot of variations on traditional Celtic tunes as well as many of his own. A very enjoyable recording with some great jigs and scorching reels.
Golden Bough are a Celtic music band, based in California, who have been performing together for more than 30 years. The band describes their music as "rooted in" the traditional music of Ireland, Scotland, Wales, Cornwall, The Isle of Man, French Brittany and Spanish Galicia. This 1993 album combines traditional tunes such as The Tailor & the Mouse and The Rattlin' Bog with originals like Rain & Thunder and the beautifully performed Wee Jack. The band's playing is flawless, the harmony is perfect, and the songs are wonderful. A real change from so much of the bland music produced for children
Loinneog Cheoil was the début album by Irish singer Aoife Ní Fhearraigh. The albums features mainly Traditional Celtic material from the Gweedore and Rosses area of County Donegal. Aoife is best known for her later release on Gael-Linn, but this album was made earlier than that, in 1991. Released only on tape, this is a collection of accompanied song in Gaelic. The singing is magical and the instrumentation is provided by the then new outfit Dervish.
Bit of a rarity this one released as far as i know in 1969 when Scottish nationhood was only a dream. Various groups contributed to this surprisingly good fundraising LP sponsored by the Midlothian Constituency Association of the Scottish National Party. The Livingstones from the Blantyre area supply three fine tracks but sad to say the other bands involved The Albanachs, The Newcomers, and Lallans.are unkown to me.
The Highland Clearances ["Fuadach nan Gàidheal" the expulsion of the Gael] was the forced displacement during the 18th and 19th centuries of Highland Celts from their ancient traditional land tenancies. United Celtic Bards recorded this impressive charity double CD in 2003 with contributions of music, song & poetry coming from all over the world. Profits from sales went to charities and events that support either the promotion of Gaelic Language or for the betterment of the Highlands & Islands of Scotland.
Released in 1971, the self-titled album contains beautifully performed Celtic Traditional songs and is considered one of the most important albums in its genre, notable as the first recording to include vocal harmonization in Irish language songs. The short lived band had in its ranks brother and sister Mícheál Ó Domhnaill and Tríona Ní Dhomhnaill, who would later go on to form The Bothy Band
Tog E Go Bog E [meaning Take It Easy or Take It Softly] hardly fitting for such an energetic band. Kila's special blend of Irish music brings a new meaning to the genre. Their innovative use of traditional instruments makes them seem almost new. The album is fantastic, giving you the feel for what must be one of the hottest acts to come out of the Irish music scene in many years.
Tradition Records was started in the 1950's by folk song collector Diane Hamilton and Patrick Clancy of the Clancy Brothers, initially as an outlet for Clancy's group, but the label eventually recorded all manner of traditional artists and folk revival musicians, and even issued a few LPs of field recordings gathered by Alan Lomax. This Tradition sampler, suggests the wide range of folk material the original label featured, all of it recorded simply and with few or no embellishments Highlights include Seamus Ennis rendition of The Fairy Boy the great Etta Baker's slide guitar instrumental version of John Henry, and Whiskey You're the Devil by Liam Clancy.There are also sea shanties, flamenco guitarists, and brass bands on this diverse and intriguing collection.